My short audio drama is now available to listen to. It features Edward Peel and Stacey J Gough and it was produced at County Linx Radio Studios by Steve Kent. A seasoned interrogator uses every trick they know to try and turn a long sought after prisoner over to their side but a psychological battle of wits ensues.
2019 is proving to be an exciting year as rehearsals have begun on the Northern Academy of Performing Arts production of Not a Game for Girls which is being performed on 14/15 June in Hull.
My short play The Long Player was performed live on WAMF Radio in New Orleans and begins at 23 minutes into the show. Unfortunately however the recording suffered from studio gremlins which is why there is quite a bit of feedback on it.
Another short play The Interrogator has been recorded as an audio version and will be played at the Rum Diaries Presents Collaboration Scratch Night on 21 March in Glasgow.
A stage version is being produced as part of the New Short Play Festival in New York which runs 19-24 March and it will receive two performances.
I am delighted that Not a Game for Girls will be receiving a new production in June 2019 at the Northern Academy of Performing Arts in Hull.
My short sketch ‘Wicked Cinderella’ featured at this event and received this feedback from the organiser.
‘Wicked Cinderella’ went down a storm. We opened with it because thematically I thought it was a nice fit, a pre-show scene before we got into the full swing. It was a really strong opener and the actors really got into it, all of our performers appreciated the sly digs about the theatre scene. The big reveal got a good laugh, as did the Stepmother’s final line and evil laugh at the end. Overall a great little scene and very well received.
The past week has been an immensely thrilling one as my debut play ‘Not a Game for Girls’ has been listed for pre-order on Amazon and Waterstone’s and will be very soon on the publisher’s website, Oberon, and I am extremely grateful for all the patient support they have shown to a new writer as it is greatly appreciated.
Not only that but a short film I wrote and was shot almost a year ago was selected for screening at this year’s Fear in the Fens Festival at Downham Market and thanks to Stacey Gough for organising this wonderful poster for it.
It was after visiting Harvington Hall in Worcestershire, which has some of the finest surviving examples of priest hides constructed by Nicholas Owen (later beatified) that I became fascinated by why they were built and who for. I then discovered that Richard Topcliffe, one of the main priest chasers, hailed from Somerby in the north of the county I live in, Lincolnshire. This self-styled Queen’s Pursuivant soon attained a reputation for doggedness in pursuit of his quarry as well as for cruelty.
I next visited Baddesley Clinton in Warwickshire which also has priest hides most likely built by Owen and which came into use in 1591 when a conference of Jesuit priests was raided by local authorities. However they served their purpose well as no one was caught.
I then read a whole plethora of books on the era including general histories, biographies and some on the Jesuit mission. Several figures stood out from my reading including the aforementioned Owen and Topcliffe but also Henry Garnet and John Gerard who were two leading Jesuit priests. Also I became very interested in the active role that two sisters Eleanor Brooksby and Anne Vaux played in sheltering priests and aiding the mission as well as having links to some of the Gunpowder Plotters.
I decided in order to try and give the play a feeling of oppressive claustrophobia to limit the settings and number of characters as much as possible. This was to attempt to make one household stand as a microcosm for the clash between the Protestant authorities and Catholic recusants. I have taken a number of dramatic liberties in blending fact with much fiction as well as concertinaing events that took place over many years into a much shorter timeframe.
In order to tell the story I wanted I created several fictional characters and invented a raid taking place in November 1604, one year before the failed Gunpowder Plot. This involved bringing Richard Topcliffe out of retirement to conduct one last secretive mission on Robert Cecil’s orders but with plausible deniability built into it. Topcliffe did in fact, after hunting down his last victim in 1598, retire to his country estates and died in December 1604 aged 73. John Gerard is one of the few people known to have escaped the Tower of London but I took an imaginative leap by suggesting that he was allowed to escape in the hope that he would lead Topcliffe to the Mission’s leadership.
Hopefully though the play gives a flavour of a turbulent past where people were prepared to die for their beliefs, which perhaps arguably and all too sadly still has contemporary resonances when minorities are subjected to persecution and treated by some as the enemy within.